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Phil Morgan Pottery

Phil Morgan
Phil Morgan

About Phil Morgan

Since being established in 1973, Phil Morgan Pottery has "turned" some of the rarest and most beautiful pottery in the world!

Located in Seagrove, "the birthplace of North Carolina traditional pottery," Phil Morgan has been making pottery for more than 30 years. His works range from beautiful utilitarian cookware to his specialty, the rare crystalline. Phil's cystalline jewels are in museums across the globe - from the Smithsonian in Washington, D.C. (USA) to Europe's Wedgwood Museum. Phil and his crystalline works of art have been featured in a variety of publications including The Washington Post, The New York Times, The Orlando Sentinel; and on ABC TV's Good Morning America and CTV's Good Morning Canada.

The crystalline glazing technique is very rare. The earliest known American potter to master the process was Adelaide Alsop Robineau (1865-1929) from Syracuse, New York. Phil began exploring the technique and teaching himself how to produce crystalline on his pottery in 1973. After extensive research and four years of trial and error development, success was achieved! 

Phil Morgan is arguably one of the most well known crystalline potters in the United States. His perseverance in his early years as a potter has helped to not only perfect his art, but has also helped make Seagrove, North Carolina a household name.

Phil invites everyone to come and visit him at his shop. He is joined in the business by his wife, Julia; son Phil Morgan II; and daughter-in-law, Dawn Tagawa Morgan. The Morgans love to meet and greet visitors and always stop to chat with anyone interested in their work. 

Visit Phil Morgan Pottery today where you'll be encouraged to sit back, relax and enjoy Seagrove's most famous crystalline potter!

About Crystalline Pottery

Phil Morgan specializes in a hand-thrown modern interpretation of crystalline glazed porcelain in which each piece is a unique individual work of art.

Crystalline glazes are produced through specific glaze formulation and carefully controlled firing procedures. When firing, the cooling cycle is slowed to allow portions of the glaze to separate from the batch to form crystals.

Accurate firing is of as much importance as glaze compounding. The glaze batch contains particles from which crystals may grow. Much as the manner a dust particle acts as a seed for a snowflake. A combination of high temperature and time is used to dissolve all but a few particles. The temperature is then dropped and held to allow the zinc silicate to crystallize out of the molten glaze. In general, the longer the holding time the larger the crystals, up to six hours or longer.

The glazes must be extremely fluid to work properly, which adds the problem of separating the piece from the glaze puddle at the base. The method used on these pieces are separately thrown foot trays which are glued to the base of the piece after the two have been fired unglazed to 1800 degrees F. Then the glaze is brushed onto the piece to an approximate thickeness of 3/16 of an inch. After the glaze firing of 2350 degrees F. and the piece has cooled, it is separated from the foot tray with a chisel and wooden mallet. Then the bottom of the pottery is ground to a smooth surface.

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"World Master Crystalline Potter"